There's a book I read a long, long time ago, possibly called Bach, Beethoven and the Boys, that states, in its entry on sopranos, that sopranos tend to be the ditziest voices in a choir because the high frequencies they sing addle their brain waves.
I believe this to be true.
Or maybe it's just my choir. OMFG they are dumb. Lovely voices, lovely smiles, nothing between the ears.
OK, that's not really fair. But it is a fact that sopranos tend to look kinda bubble-headed compared to the rest of the choir. I think it's a combination of two things: (1) we're usually the largest section and sing the most noticeable parts, so when we don't know what we're doing, everybody gets to hear it and (2) we usually get the melody - the easiest, loudest part. We don't tend to need to sightread very well; just listen to the piano bang out your notes a few times and you've got it. I, in fact, can hardly sight-read at all, and I've been singing in choirs for omg 27 years. This year I asked to go into second soprano, even though I love singing first, in part because I wanted to hone up my sight-reading skills. Didn't work out - somehow this year we have a severe lack of first sopranos - but I'm hopeful about next year.
Anyway why am I talking about this oh yeah! So my choir is singing The Messiah in a few weeks. It's high. It's challenging. It's tiring. It's also sung by most choir singers every few years, and there are about a billion and one recordings of it out there. So our director thought (foolishly, apparently) that we would be able to concentrate on dynamics and expression and all that instead of note-learning.
Well, the rest of the choir may be able to, but the sopranos apparently require somebody to spoon-feed them every. single. note. We've been at it for five weeks, the director has put midi files with the individual parts on them online, I've been passing around my own recording, and the freaking sopranos are still unable to sing anything but Hallelujah with confidence - and even bloody Hallelujah, one of the most universally recognizable choral pieces in the history of universally recognizable choral pieces, is a little iffy for some of them.
I'm starting to think the high notes theory may have something to it after all.
I'm hosting a sectional practice at my house tomorrow. I may tear my hair out before then. Just getting them together has been an exercise in teeth-gritting patience.
I may have to visualize Volunteers/Ember to Ember Draco in order to get through this at all.
I believe this to be true.
Or maybe it's just my choir. OMFG they are dumb. Lovely voices, lovely smiles, nothing between the ears.
OK, that's not really fair. But it is a fact that sopranos tend to look kinda bubble-headed compared to the rest of the choir. I think it's a combination of two things: (1) we're usually the largest section and sing the most noticeable parts, so when we don't know what we're doing, everybody gets to hear it and (2) we usually get the melody - the easiest, loudest part. We don't tend to need to sightread very well; just listen to the piano bang out your notes a few times and you've got it. I, in fact, can hardly sight-read at all, and I've been singing in choirs for omg 27 years. This year I asked to go into second soprano, even though I love singing first, in part because I wanted to hone up my sight-reading skills. Didn't work out - somehow this year we have a severe lack of first sopranos - but I'm hopeful about next year.
Anyway why am I talking about this oh yeah! So my choir is singing The Messiah in a few weeks. It's high. It's challenging. It's tiring. It's also sung by most choir singers every few years, and there are about a billion and one recordings of it out there. So our director thought (foolishly, apparently) that we would be able to concentrate on dynamics and expression and all that instead of note-learning.
Well, the rest of the choir may be able to, but the sopranos apparently require somebody to spoon-feed them every. single. note. We've been at it for five weeks, the director has put midi files with the individual parts on them online, I've been passing around my own recording, and the freaking sopranos are still unable to sing anything but Hallelujah with confidence - and even bloody Hallelujah, one of the most universally recognizable choral pieces in the history of universally recognizable choral pieces, is a little iffy for some of them.
I'm starting to think the high notes theory may have something to it after all.
I'm hosting a sectional practice at my house tomorrow. I may tear my hair out before then. Just getting them together has been an exercise in teeth-gritting patience.
I may have to visualize Volunteers/Ember to Ember Draco in order to get through this at all.